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素材の〈経験的性質〉による表現 -〈天然性〉を中心に-
https://tuad.repo.nii.ac.jp/records/2000038
https://tuad.repo.nii.ac.jp/records/200003804e99b13-1e89-455d-b237-72b5d324f954
名前 / ファイル | ライセンス | アクション |
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https://tuad.repo.nii.ac.jp/record/2000038/files/tuad-bulletin31-1-LIU.pdf (1.4 MB)
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tuad-bulletin31-1-LIU-re.pdf (1.1 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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公開日 | 2024-03-18 | |||||||
タイトル | ||||||||
言語 | ja | |||||||
タイトル | 素材の〈経験的性質〉による表現 -〈天然性〉を中心に- | |||||||
言語 | ||||||||
言語 | jpn | |||||||
キーワード | ||||||||
言語 | ja | |||||||
主題Scheme | Other | |||||||
主題 | 天然性、経験的性質、存在的性質、素材、絵画 | |||||||
キーワード | ||||||||
言語 | en | |||||||
主題Scheme | Other | |||||||
主題 | naturalness, empirical attributes, existential attributes, materials, painting | |||||||
資源タイプ | ||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
資源タイプ | departmental bulletin paper | |||||||
著者 |
劉 佳緒
× 劉 佳緒
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著者(英) | ||||||||
姓名 | LIU Jiaxu | |||||||
言語 | en | |||||||
抄録 | ||||||||
内容記述タイプ | Abstract | |||||||
内容記述 | 筆者は〈天然〉と〈人工〉という名称の背景に、現代の効率的生活と動物の本能との矛盾の存在を考えている。この矛盾を絵画制作の主題とするため、本稿では制作に用いられる素材と〈自然物〉との関係を〈天然性〉と定義し、更に〈天然素材〉と〈人工素材〉における〈天然性〉を使い分けることを通してこの矛盾を表現することを試みるため以下の検討を加える。つまり、素材となる物質の存在により備わっている性質を〈存在的性質〉、〈天然性〉と類似して人間の活動による性質を〈経験的性質〉とする概念を提案し、〈天然性〉における〈経験的性質〉を考察する。本稿ではウーホンによる素材の性質に対する歴史的研究を踏まえて美術史における〈経験的性質〉の利用を抽出し、ヴォルフガング・ライプとミカ・タジマの作品を考察し〈天然性〉による表現方法の特徴を分析し、最後に自作における〈天然性〉の表現を再検討する。 | |||||||
言語 | ja | |||||||
抄録 | ||||||||
内容記述タイプ | Abstract | |||||||
内容記述 | According to the current situation of naming methods about “natural” and “artificial” around our daily existence, I think there is a contradiction between the modern efficient life and instincts of animals. I’m expressing this contradiction in my artworks by using “natural materials” and “artificial materials” designedly and separately. To show how close the materials used in artworks to the “Nature,” I hypothesize “Naturalness” as one of “Empirical Attributes” which added by the activities of human beings. In the same way, I defined the mass, hardness, luster, etc. as “Existential Attributes.” In this thesis, “Naturalness” of materials used for creating expressions in artworks is researched as an example of the “Empirical Attributes.” In addition, in this article the history of using “Empirical Attributes ” will be extracted from the history of art, based on Wu Hong’s historical research about the attributes of materials in artworks. Simultaneously, “Naturalness” used by Wolfgang Laib and Mika Tajima in their expression of artworks will be observed and studied, to analyze the expression method of “naturalness,” for reexamining the expression of “naturalness” in my own artworks. | |||||||
言語 | en | |||||||
書誌情報 |
ja : 東北芸術工科大学 紀要 巻 31, ページ数 15, 発行日 2024-03-18 |